UT Atypic

Buy
Latitude 63° Longitude 124°
Atypic ExtraLight
200
ORIONIDS
Atypic Light
300
1P/HALLEY Perihelion
Atypic Text
350
Max Brightness
Atypic Regular
400
Alpha Capricornids
Atypic Medium
500
October 9, 20/hr
Atypic Bold
700
SPRING EQUINOX
Atypic ExtraBold
800

Tester

Aa
Text
Alphabet
Pangram
Single Storey a
Flat a,Y,y
Alternate I,Q
Alternate &
Rounded Dots
Alternate 1,0
Circle Numerals
Fill Circle Numerals
Out there, above barely a mile of air, the Moon lay before us like a dim globe, mottled and faintly luminous.
Aa
Single Storey a
Flat a,Y,y
Alternate I,Q
Alternate &
Rounded Dots
Alternate 1,0
Circle Numerals
Fill Circle Numerals

“I was progressing in great leaps and bounds,” I said at last, when I had calmed sufficiently to speak with some coherence. “You know something of the chemical properties, do you not? I had calculated the exact expansion of our atmosphere, so that we should experience weightlessness at precisely the right moment.”

“What you say disturbs me,” said Bedford gravely. “I do not like these calculations. Cavor, what is weightlessness like?”

There followed a silence, broken finally by a laugh as Cavor moved the sphere. “My dear Bedford, it is as though the world had slipped from beneath you. One moment your feet are sitting firmly, and the next—nothing. And yet you do not fall. You float, absolutely at rest, provided you keep still. If you move your hand, the slightest pause, the slightest current of air, carries you gently across the cabin.”

I watched him push off the floor. He floated, still as a bubble, and touched the ceiling with his fingertips. “I see,” I said, “like a fish in water.”

“Or like a leaf on the air,” he replied. “There is no sound, no pressure, no hurry.” The sphere was small. I followed him. We bobbed apart, then came together. We touched without effort, like two particles attracted by an unseen force.

When the light returned—at the moment of breaking through the lunar atmosphere—the sense of space was overwhelming. Out there, above barely a mile of air, the Moon lay before us like a dim globe, mottled and faintly luminous. The silence deepened. For one moment I felt lonely. Then Cavor exclaimed, “Look!”

The shuttle glass was pulled aside, and the edge of the surface came into view—a landscape desolate and stony, lit by a pale sunlight that was colder than any winter dawn. I saw the sphere gliding downward, darker as it skimmed ridges, blacker still as we passed into shadowed hollows. There was no noise; there could be no noise. The world beneath was our world now.

We touched. The sphere rested on long legs, like the frame of some metal insect. The Moon lay under us. I stepped out into wonder. My foot sank into grey dust that gave way like sifted ashes. A thin chill rose through me. I drew my breath slowly, not trusting it. The sky was black; the Sun was a white disc. No wind. No atmosphere. Only silence, and stillness, and the endless forging of light across the grey plains.

“I never knew anything could be so beautiful,” I breathed. “So strange.”

Cavor moved away. “I am going to take a sample of soil,” he announced. He bent down and scooped up a handful. It fell slowly through the air, grains drifting as though on water. He let it go, and the particles danced in sunlight before settling. Beneath them, the dust lay deep.

We explored. Jagged rocks, smooth plains, and deep shadows. I found footprints: ours, reaching outward into the silence. Time lost meaning. Minutes and hours merged. We wandered, companions in isolation, held together by curiosity and the sphere behind us.

We discovered a cave. It yawned—dark and still. I approached, the air beside me so empty it whispered. I stepped in. My torch revealed walls shaped by moon-stuff—an alien carving of stone. No air moved; every breath was measured. Yet I felt alive.

Cavor’s voice came from behind me. “It is hollow,” he said. “We must be careful. But what a marvel! Who could have guessed that beneath the moon’s face there is structure, a secret waiting?”

We retreated to the sphere. My mind still drifted among lunar shadows. As we prepared to depart, I looked back into the cave one last time, remembering the hush, the isolation, the discovery of something beyond our expectation. Up there, above us, the Earth shone—blue and familiar, tethered to us by memory.

We rose. The moon receded. The Earth grew once more. We would speak of this journey forever—of the silence, the weightlessness, the dust underfoot, and the lamp of home shining across the void.

Variable Font

Nova outburst in Andromeda
ExtraLight
ExtraBold

OpenType Features

SS01
Round single-storey ‘a’ for a softer tone.
SS02
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS03
Minimal ‘Q’ and slabbed ‘I’ for improved legibility when needed.
SS04
Traditional “et” style ampersand.
SS05
Square dots and commas can be replaced with round versions.
SS06
Slabbed ‘1’ and slashed ‘0’ for improved legibility when numerals are important.
SS07
Outlined circular numbers, useful for diagrams and checklists.
SS08
Filled variants of the circle numbers.
SS01
Round single-storey ‘a’ for a softer tone.
SS02
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS03
Minimal ‘Q’ and slabbed ‘I’ for improved legibility when needed.
SS04
Traditional “et” style ampersand.
SS05
Square dots and commas can be replaced with round versions.
SS06
Slabbed ‘1’ and slashed ‘0’ for improved legibility when numerals are important.
SS07
Outlined circular numbers, useful for diagrams and checklists.
SS08
Filled variants of the circle numbers.

Glyph Set

UT
xxxx
UNIT Type
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
I
Q
Y
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
a
a
y
0
1
2
3
4
5
6
7
8
9
0
1
&
&
@
(
)
[
]
{
}
/
|
\
!
¡
?
¿
_
-
.
,
;
:
'
"
«
»
*
°
§
©
®
Á
À
Ă
Â
Å
Ä
Ã
Ą
Ā
Æ
Ć
Ĉ
Č
Ċ
Ç
Ď
Đ
Ð
É
È
Ĕ
Ê
Ě
Ë
Ė
Ę
Ē
Ə
Ğ
Ĝ
Ġ
Ģ
Ĥ
Ħ
Í
Ì
Ĭ
Î
Ï
Ĩ
İ
Į
Ī
Ĵ
Ķ
Ĺ
Ľ
Ļ
Ł
Ń
Ň
Ñ
Ņ
Ó
Ò
Ŏ
Ô
Ö
Ő
Õ
Ø
Ō
Œ
Ŕ
Ř
Ŗ
Ś
Ŝ
Š
Ş
Ș
Ť
Ţ
Ț
Ŧ
Ú
Ù
Ŭ
Û
Ů
Ü
Ű
Ũ
Ų
Ū
Ŵ
Ý
Ŷ
Ÿ
Ź
Ž
Ż
Þ
Í
Ì
Ĭ
Î
Ï
Ĩ
İ
Į
Ī
Ý
Ŷ
Ÿ
á
à
ă
â
å
ä
ã
ą
ā
æ
ć
ĉ
č
ċ
ç
ď
đ
ð
é
è
ĕ
ê
ě
ë
ė
ę
ē
ə
ğ
ĝ
ġ
ģ
ħ
í
ì
ĭ
î
ï
ĩ
į
ī
ı
ĵ
ķ
ĺ
ľ
ļ
ł
ŀ
ń
ň
ñ
ņ
ó
ò
ŏ
ô
ö
ő
õ
ø
ō
œ
ŕ
ř
ŗ
ś
ŝ
š
ş
ș
ß
ť
ţ
ț
ŧ
ú
ù
ŭ
û
ů
ü
ű
ũ
ų
ū
ŵ
ý
ŷ
ÿ
ź
ž
ż
þ
á
à
ă
â
å
ä
ã
ą
ā
á
à
ă
â
å
ä
ã
ą
ā
ý
ŷ
ÿ
¤
£
$
¢
¥
+
÷
×
=
#
½
¼
¾
%
<
>
±
0
1
2
3
4
5
6
7
8
9

About

UT Atypic is a neo-grotesque that favours function without sacrificing character. Rooted in mid-century European design, it balances mechanical structure with subtle humanist details, resulting in a typeface that is clear, versatile and quietly expressive.

Available in seven weights from ExtraLight to ExtraBold, Atypic provides a solid typographic system for identity, editorial and digital applications. A variable font version offers continuous control across the weight axes, while OpenType features and stylistic alternates expand its expressive range.

Download a trial

Technical

Family
UT Atypic
Styles
7
Variable axes
Weight
Design & production
James Smith
Classification
Neo-grotesque
Version
2.001
Release date
July 2024
Glyphs
OpenType features
File formats
Web font sizes (WOFF2)
887
Standard Ligatures
Discretionary Ligatures
Contextual Alternates
Case Sensitive Forms
Small Capitals
Tabular Figures
Fractions
Numerators
Denominator
Ordinals
Scientific Inferiors
Subscript
Superscript
8 x Stylistic Sets
OTF (Desktop & App)
WOFF2 (Web)
TTF (Variable)
ExtraLight – 71kb
Light – 74kb
Text – 74kb
Regular – 74kb
Medium – 73kb
Bold – 74kb
ExtraBold – 72kb
Variable – 106kb

Languages

Acheron, Achinese, Acholi, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Alekano, Aleut, Alonquin, Amahuaca, Amarakaeri, Amis, Anaang, Anuta, Aragonese, Arbëreshë Albanian, Asháninka, Ashéninka Perené, Atayal, Balinese, Banjar, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, English, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kaingang, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makonde, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shawnee, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swedish, Swiss German, Tagalog, Tahitian, Tedim Chin, Tetum, Tetun Dili, Toba, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yucateco, Zapotec, Zulu, Záparo.

Buy UT Atypic

Standard licences
Desktop
Web
App
Check the guide to make sure our standard licences suit your needs. Get in touch to discuss bespoke or unlimited licenses.

Licensing guide

License information
A Desktop Font License allows you to use UnitType retail fonts on your computers to create digital and printed graphics for yourself or your clients. It covers unlimited design projects, forever, with a one-off payment.

↓ Desktop Font EULA

File formats included:
OTF
TTF
Desktop Font Licence
Select License Tier
Cart
Add licensee details

Secure checkout via Shopify. Prefer to pay by invoice or bank transfer? Get in touch.

UnitType licensing guide
Standard licences
Scope of use
Conditions
Desktop
  • Printed works
  • Organic social media content for accounts up to 25k followers
  • Raster and vector files for web
  • Wayfinding, signage, spatial design
  • Video content shown on screens in public spaces
  • PDFs, presentations, eBooks
The licence must cover everyone who will use the font. If you’re a designer and your client will also install it, make sure you account for their users too.
Web
  • Hosting on a server and called using @fontface
  • Live text on websites
  • Live text in HTML5 banners and embedded ad units
  • Live text in email campaign and mailing lists
Each domain requires a separate licence.
App
  • Embedding and use in distributed and local applications
  • Mobile, tablet and desktop
  • Stand-alone e.g. point-of-sale system or in-store kiosk
Each app requires a separate licence.
Bespoke licences
Extensions
Extensions to the standard Desktop licence are needed for:
  • Logos, logotypes or wordmarks
  • High reach social media accounts (>25k followers)
  • Paid social media content
  • Broadcast & streamed content
  • Original Equipment Manufacturer (OEM)
Contact for a quote.
Unlimited
No restriction on users, scale, reach or project type. This is the recommended option when working with large clients, or future use may be unknown or difficult to track.
Contact for a quote.
Image of UT Atypic typeface
Image of UT Atypic typeface
Image of UT Atypic typeface
Image of UT Atypic typeface
Image of UT Atypic typeface

UT Atypic is a neo-grotesque that favours function without sacrificing character. Rooted in mid-century European design, it balances mechanical structure with subtle humanist details, resulting in a typeface that is clear, versatile and quietly expressive.

Available in seven weights from ExtraLight to ExtraBold, Atypic provides a solid typographic system for identity, editorial and digital applications. A variable font version offers continuous control across the weight axes, while OpenType features and stylistic alternates expand its expressive range.

Download a trial

OpenType Features

SS01
Round single-storey ‘a’ for a softer tone.
SS02
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS03
Minimal ‘Q’ and slabbed ‘I’ for improved legibility when needed.
SS04
Traditional “et” style ampersand.
SS05
Square dots and commas can be replaced with round versions.
SS06
Slabbed ‘1’ and slashed ‘0’ for improved legibility when numerals are important.
SS07
Outlined circular numbers, useful for diagrams and checklists.
SS08
Filled variants of the circle numbers.

Glyph Set

ut
UCOD
GLYPH MAP
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
I
Q
Y
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
a
a
y
0
1
2
3
4
5
6
7
8
9
0
1
&
&
@
(
)
[
]
{
}
/
|
\
!
¡
?
¿
_
-
.
,
;
:
'
"
«
»
*
°
§
©
®
¤
£
$
¢
¥
+
÷
×
=
#
½
¼
¾
%
<
>
±
0
1
2
3
4
5
6
7
8
9

Technical

Family

Styles

Variable axes

Design & production

Version

Release date

Glyphs

Classification

Language support

UT Atypic
7
Weight
James Smith
2.001
July 2024
887
All UnitType retail typefaces use the Adobe Latin 3 glyph set with additional characters to support over 275 Latin-based languages.
Neo-grotesque
Desktop License
How many people will use the fonts?
Small – 5 users
Medium – 20 users
Large – 40 users
Desktop License price:

UT Atypic Family

Individual Styles

£168
£40

UT Atypic Family

Individual Styles

£336
£80

UT Atypic Family

Individual Styles

£672
£160
Web License
How many monthly views will there be?
Small – 50k
Medium – 500k
Large – 1m
Web Font License price:

UT Atypic Family

Individual Styles

£168
£40

UT Atypic Family

Individual Styles

£336
£80

UT Atypic Family

Individual Styles

£672
£160
App License
How many downloads / active monthly users will there be?
Small – 10k
Medium – 100k
Large – 500k
App Font License price:

UT Atypic Family

Individual Styles

£336
£80

UT Atypic Family

Individual Styles

£672
£160

UT Atypic Family

Individual Styles

£1,344
£320
Full family purchases include all individual styles and variable fonts, with a 40% discount.
Prices above cover our standard use‑based licenses. We also offer an Unlimited License — a single, unrestricted license available as a one‑off or annual fee. Contact us for a quote.
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