UT Atypic Mono

Buy
Standby
& Active
Atypic Mono ExtraLight
200
TARS (2014)
Atypic Mono Light
300
Let’s talk!
Atypic Mono Text
350
Shall we play chess?
Atypic Mono Regular
400
I didn’t catch that...
Atypic Mono Medium
500
Transit Event №26
Atypic Mono Bold
700
D.MONOCEROTIDS
Atypic Mono ExtraBold
800

Tester

Aa
Text
Alphabet
Pangram
Discretional Ligatures
Single Storey a
Curved f
Curved i
Flat a,Y,y
Alternate Q
Alternate &
Rounded Dots
Alternate 0
Circle Numerals
Fill Circle Numerals
The machine may progress eternally.
Aa
Discretional Ligatures
Single Storey a
Curved f
Curved i
Flat a,Y,y
Alternate Q
Alternate &
Rounded Dots
Alternate 0
Circle Numerals
Fill Circle Numerals

Kuno spoke of the tremendous thing that had happened. He told me, “I have been threatened with Homelessness, and I could not tell you such a thing through the Machine.” Homelessness means death; the victim is exposed to the air, which kills him.

“I have been outside since I spoke to you last. The tremendous thing has happened, and I must be adapted to his surroundings, must he not? In the dawn of the world our weakly were exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally.

“You know that we have lost the sense of space. We say ‘space is annihilated,’ but we have annihilated not space, but the sense thereof. We have lost a part of ourselves. I determined to recover it, and I began by walking up and down the platform of the railway outside my room. Up and down, until I was tired, and so did recapture the meaning of ‘Near’ and ‘Far.’ ‘Near’ is a place to which I can get quickly on my feet, not a place to which the train or the air‑ship will take me quickly. ‘Far’ is a place to which I cannot get quickly on my feet; the vomitory is ‘far,’ though I could be there in thirty‑eight seconds by the next platform and paced that also, and so with each in turn, until I came to the topmost, above which begins the earth. All the platforms were exactly alike, and all that I gained by visiting them was to develop my sense of space and my muscles. I think I should have been content with this — it is not a little thing — but as I walked and brooded, it occurred to me that our cities had been built in the days when men still breathed the outer air, and that there had been ventilation‑shafts for the workmen. I could think of nothing but these ventilation‑shafts. Had they been destroyed by all the food‑tubes and medicine‑tubes and music‑tubes that the Machine has evolved lately? Or did traces of them remain? One thing was certain. If I came upon them anywhere, it would be in the railway‑tunnels of the topmost story.

“I am telling my story quickly, but don’t think that I was not a coward or that your answers never depressed me. It is not the proper thing, it is not mechanical, it is not decent to walk along a railway‑tunnel. I did not fear that I might tread upon a live rail and be killed. I feared something far more intangible — doing what was not contemplated by the Machine. Then I said to myself, ‘Man is the measure,’ and I went, and after many visits I found an opening.

“The tunnels, of course, were lighted. Everything is light, artificial light; darkness is the exception. So when I saw a black gap in the tiles, I knew that it was an exception, and rejoiced. I put in my arm — I could put in no more at first — and waved it round and round in ecstasy. I loosened another tile, and put in my head, and shouted into the darkness: ‘I am coming, I shall do it yet,’ and my voice reverberated down endless passages. I seemed to hear the spirits of those dead workmen who had returned each evening to the starlight and to their wives, and all the generations who had lived in the open air called back to me, ‘You will do it yet, you are coming.’”

Image of UT Atypic Mono typeface

Variable Font

MONO(chromism)
MONO(dramatic)
ExtraLight
ExtraBold

OpenType Features

DLIG
Common contractions have been re-spaced for tighter text setting by combining the apostrophe into the postcedent glyph. These are activated with the ‘Discretionary Ligatures’ OpenType feature.
SS01
Round alternative ‘a’ for a softer feel.
SS02
Script-style alternative ‘f’ that fits well among rounder neighbours.
SS03
Script-style ‘i’ as an alternative to the typical flat-bottomed mono design.
SS04
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS05
Stripped-back ‘Q’ with maximum counter space.
SS06
Traditional “et” style ampersand.
SS07
Square dots and commas can be replaced with round versions.
SS08
Alternate zero with a period centre.
SS09
Outlined circular numbers, useful for diagrams and checklists.
SS10
Filled variants of the circle numbers.
SS01
Round alternative ‘a’ for a softer feel.
SS02
Script-style alternative ‘f’ that fits well among rounder neighbours.
SS03
Script-style ‘i’ as an alternative to the typical flat-bottomed mono design.
SS04
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS05
Stripped-back ‘Q’ with maximum counter space.
SS06
Traditional “et” style ampersand.
SS07
Square dots and commas can be replaced with round versions.
SS08
Alternate zero with a period centre.
SS09
Outlined circular numbers, useful for diagrams and checklists.
SS10
Filled variants of the circle numbers.
Image showing contractions feature  for Atypic Mono.
DLIG
Common contractions have been re-spaced for tighter text setting by combining the apostrophe into the postcedent glyph. These are activated with the ‘Discretionary Ligatures’ OpenType feature.

Glyph Set

UT
xxxx
UNIT Type
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Q
Y
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
a
a
f
i
y
0
1
2
3
4
5
6
7
8
9
0
&
&
@
(
)
[
]
{
}
/
|
\
!
¡
?
¿
_
-
.
,
;
:
'
"
«
»
*
°
§
©
®
Á
À
Ă
Â
Å
Ä
Ã
Ą
Ā
Æ
Ć
Ĉ
Č
Ċ
Ç
Ď
Đ
Ð
É
È
Ĕ
Ê
Ě
Ë
Ė
Ę
Ē
Ə
Ğ
Ĝ
Ġ
Ģ
Ĥ
Ħ
Í
Ì
Ĭ
Î
Ï
Ĩ
İ
Į
Ī
Ĵ
Ķ
Ĺ
Ľ
Ļ
Ł
Ń
Ň
Ñ
Ņ
Ó
Ò
Ŏ
Ô
Ö
Ő
Õ
Ø
Ō
Œ
Ŕ
Ř
Ŗ
Ś
Ŝ
Š
Ş
Ș
Ť
Ţ
Ț
Ŧ
Ú
Ù
Ŭ
Û
Ů
Ü
Ű
Ũ
Ų
Ū
Ŵ
Ý
Ŷ
Ÿ
Ź
Ž
Ż
Þ
Ý
Ŷ
Ÿ
á
à
ă
â
å
ä
ã
ą
ā
æ
ć
ĉ
č
ċ
ç
ď
đ
ð
é
è
ĕ
ê
ě
ë
ė
ę
ē
ə
ğ
ĝ
ġ
ģ
ħ
í
ì
ĭ
î
ï
ĩ
į
ī
ı
ĵ
ķ
ĺ
ľ
ļ
ł
ŀ
ń
ň
ñ
ņ
ó
ò
ŏ
ô
ö
ő
õ
ø
ō
œ
ŕ
ř
ŗ
ś
ŝ
š
ş
ș
ß
ť
ţ
ț
ŧ
ú
ù
ŭ
û
ů
ü
ű
ũ
ų
ū
ŵ
ý
ŷ
ÿ
ź
ž
ż
þ
á
à
ă
â
å
ä
ã
ą
ā
á
à
ă
â
å
ä
ã
ą
ā
í
ì
ĭ
î
ï
ĩ
į
ī
ı
ý
ŷ
ÿ
¤
£
$
¢
¥
+
÷
×
=
#
½
¼
¾
%
<
>
±
0
1
2
3
4
5
6
7
8
9

About

Atypic Mono is the fixed-width member of the Atypic family, translating its distinctive voice into a monospace format. It draws on the visual logic of technical type, filtered through the warmth and irregularity of its proportional counterpart. The result is a typeface that brings structure without rigidity, valuing rhythm and legibility while retaining an expressive tone.

Unlike many monospaced designs that prioritise mechanical neutrality, Atypic Mono holds on to visual quirks that echo human gesture. Angled joins, open forms and a dynamic rhythm across characters give it a voice that’s functional but never cold. It’s suited to editorial and branding environments that require clarity with character.

Atypic Mono is available in seven weights from ExtraLight to ExtraBold, alongside a variable font for continuous control across the weight axis. OpenType features and a broad range of stylistic alternates offer flexibility for systems that demand both order and distinction.

Download a trial

Technical

Family
UT Atypic Mono
Styles
7
Variable axes
Weight
Design & production
James Smith
Classification
Neo-grotesque, Monospaced
Version
2.001
Release date
July 2024
Glyphs
OpenType features
File formats
Web font sizes (WOFF2)
ExtraLight – 44kb
Light – 46kb
Text – 45kb
Regular – 46k
Medium – 45kb
Bold – 46kb
ExtraBold – 46kb
Variable – 50kb
911
Discretionary Ligatures
Contextual Alternates
Case Sensitive Forms
Small Capitals
Tabular Figures
Fractions
Numerators
Denominator
Ordinals
Scientific Inferiors
Subscript
Superscript
10 x Stylistic Sets
OTF (Desktop & App)
WOFF2 (Web)
TTF (Variable)

Languages

Acheron, Achinese, Acholi, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Alekano, Aleut, Alonquin, Amahuaca, Amarakaeri, Amis, Anaang, Anuta, Aragonese, Arbëreshë Albanian, Asháninka, Ashéninka Perené, Atayal, Balinese, Banjar, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, English, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kaingang, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makonde, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shawnee, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swedish, Swiss German, Tagalog, Tahitian, Tedim Chin, Tetum, Tetun Dili, Toba, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yucateco, Zapotec, Zulu, Záparo.
Buy UT Atypic Mono
Standard licences
Desktop
Web
App
Check the guide to make sure our standard licences suit your needs. Get in touch to discuss bespoke or unlimited licenses.

Licensing guide

License information
A Desktop Font License allows you to use UnitType retail fonts on your computers to create digital and printed graphics for yourself or your clients. It covers unlimited design projects, forever, with a one-off payment.

↓ Desktop Font EULA

File formats included:
OTF
TTF
Desktop Font Licence
Select License Tier
Cart
Add licensee details

Secure checkout via Shopify. Prefer to pay by invoice or bank transfer? Get in touch.

UnitType licensing guide
Standard licences
Scope of use
Conditions
Desktop
  • Printed works
  • Organic social media content for accounts up to 25k followers
  • Raster and vector files for web
  • Wayfinding, signage, spatial design
  • Video content shown on screens in public spaces
  • PDFs, presentations, eBooks
The licence must cover everyone who will use the font. If you’re a designer and your client will also install it, make sure you account for their users too.
Web
  • Hosting on a server and called using @fontface
  • Live text on websites
  • Live text in HTML5 banners and embedded ad units
  • Live text in email campaign and mailing lists
Each domain requires a separate licence.
App
  • Embedding and use in distributed and local applications
  • Mobile, tablet and desktop
  • Stand-alone e.g. point-of-sale system or in-store kiosk
Each app requires a separate licence.
Bespoke licences
Extensions
Extensions to the standard Desktop licence are needed for:
  • Logos, logotypes or wordmarks
  • High reach social media accounts (>25k followers)
  • Paid social media content
  • Broadcast & streamed content
  • Original Equipment Manufacturer (OEM)
Contact for a quote.
Unlimited
No restriction on users, scale, reach or project type. This is the recommended option when working with large clients, or future use may be unknown or difficult to track.
Contact for a quote.
Image of UT Atypic Mono typeface
Image of UT Atypic Mono typeface
Image of UT Atypic Mono typeface
Image of UT Atypic Mono typeface

Atypic Mono is the fixed-width member of the Atypic family, translating its distinctive voice into a monospace format. It draws on the visual logic of technical type, filtered through the warmth and irregularity of its proportional counterpart. The result is a typeface that brings structure without rigidity, valuing rhythm and legibility while retaining an expressive tone.

Unlike many monospaced designs that prioritise mechanical neutrality, Atypic Mono holds on to visual quirks that echo human gesture. Angled joins, open forms and a dynamic rhythm across characters give it a voice that’s functional but never cold. It’s suited to editorial and branding environments that require clarity with character.

Atypic Mono is available in seven weights from ExtraLight to ExtraBold, alongside a variable font for continuous control across the weight axis. OpenType features and a broad range of stylistic alternates offer flexibility for systems that demand both order and distinction.

Download a trial

OpenType features

SS01
Round alternative ‘a’ for a softer feel.
SS02
Script-style alternative ‘f’ that fits well among rounder neighbours.
SS03
Script-style ‘i’ as an alternative to the typical flat-bottomed mono design.
SS04
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS05
Stripped-back ‘Q’ with maximum counter space.
SS06
Traditional “et” style ampersand.
SS07
Square dots and commas can be replaced with round versions.
SS08
Alternate zero with a period centre.
SS09
Outlined circular numbers, useful for diagrams and checklists.
SS10
Filled variants of the circle numbers.
Image showing contractions feature  for Atypic Mono.
DLIG
Common contractions are re-spaced for tighter text setting by combining the apostrophe into the postcedent glyph. Activated with Discretionary Ligatures.

Glyph Set

A↔
UCOD
GLYPH MAP
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Q
Y
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
a
a
f
i
y
0
1
2
3
4
5
6
7
8
9
0
&
&
@
(
)
[
]
{
}
/
|
\
!
¡
?
¿
_
-
.
,
;
:
'
"
«
»
*
°
§
©
®
¤
£
$
¢
¥
+
÷
×
=
#
½
¼
¾
%
<
>
±
0
1
2
3
4
5
6
7
8
9

Technical

Family

Styles

Variable axes

Design & production

Version

Release date

Glyphs

Classification

Language support

UT Atypic Mono
7
Weight
James Smith
2.001
July 2024
911
All UnitType retail typefaces use the Adobe Latin 3 glyph set with additional characters to support over 275 Latin-based languages.
Neo-grotesque
Desktop License
How many people will use the fonts?
Small – 5 users
Medium – 20 users
Large – 40 users
Desktop License price:

UT Atypic Mono Family

Individual Styles

£168
£40

UT Atypic Mono Family

Individual Styles

£336
£80

UT Atypic Mono Family

Individual Styles

£672
£160
Web License
How many monthly views will there be?
Small – 50k
Medium – 500k
Large – 1m
Web Font License price:

UT Atypic Mono Family

Individual Styles

£168
£40

UT Atypic Mono Family

Individual Styles

£336
£80

UT Atypic Mono Family

Individual Styles

£672
£160
App License
How many downloads / active monthly users will there be?
Small – 10k
Medium – 100k
Large – 500k
App Font License price:

UT Atypic Mono Family

Individual Styles

£336
£80

UT Atypic Mono Family

Individual Styles

£672
£160

UT Atypic Mono Family

Individual Styles

£1,344
£320
Full family purchases include all individual styles and variable fonts, with a 40% discount.
Prices above cover our standard use‑based licenses. We also offer an Unlimited License — a single, unrestricted license available as a one‑off or annual fee. Contact us for a quote.
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